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作 者:张羽华 ZHANG Yu-hua(Yangtze Normal University,Chongqing,Sichuan 408100)
机构地区:[1]长江师范学院乌江流域社会经济文化研究中心,重庆408100
出 处:《回族研究》2021年第2期61-67,共7页
基 金:重庆市社科规划基金项目“全球化视域与新世纪文学地方性叙事研究”(2017YBWX094);国家社会科学基金重大招标项目“中国现当代文学思想史”(19ZDA274)。
摘 要:情感诗学是木斧诗歌的重要特征。情感诗学既是诗人对时代变革的情感传达,也是诗人自觉的艺术和社会实践的结果。在近70年的创作生涯中,诗人十分强调情感在诗歌写作中的作用,并能很好地处理情感与诗歌之间的关系。情感诗学饱蘸着诗人丰富的生活经历和民族情怀,进而挖掘出了时代的强音,直抵人类生命的本质。诗人把生活经历置于情感诗学视野中,将民族、时代与生命熔铸在一起,形成了个体人生与诗艺的综合体。因此,木斧独特的诗歌情感书写不仅彰显了情感诗学独特的呈现方式,诠释了木斧诗歌情感诗学的价值向度,同时也丰富了少数民族诗歌的情感内涵。Emotional poetics is an important feature of Mufu’s poetry. Emotional poetics is not only the poet’s emotional communication to the changes of times,but also the result of the poet’s conscious artistic and social practice. In his writing career of nearly 70 years,the poet attached great importance to the function of emotion in poetry writing,and could handle the relationship between emotion and poetry well. Emotional poetics was full of the poet’s rich life experience and ethnic feelings,and excavated the strong voice of times,reaching to the essence of human life. The poet put the living experience in the vision of emotional poetics,fused the ethnic group,times and life together,and formed the synthesis of individual life and poetic art. Therefore,Mufu’s unique emotional writing of the poetry not only highlighted the unique presentation of emotional poetics,interpreted the value dimension of emotional poetics of the poetry of Mufu,but also enriched the emotional connotation of the poetry of ethnic minorities.
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