个体与家国:《哪吒之魔童降世》的认同叙事及其现实困境  

The Narrative Integration about Individual Identity and National Identity of New Youth:Based on Ne Zha:I Am the Destiny

作　　者：张会芸 李平 ZHANG Hui-yun;LI Ping(School of Marxism,China University of Petroleum;Changjiang Road Sub-district Office of Huangdao District in Qingdao City of Shandong Province,Qingdao 266580,China)

机构地区：[1]中国石油大学马克思主义学院 [2]山东省青岛市黄岛区长江路街道办事处,青岛266580

出　　处：《山东青年政治学院学报》2021年第4期36-40,共5页Journal of Shandong Youth University of Political Science

基　　金：国家社科基金项目“新时代社会主要矛盾变化视阈下公众价值观变迁及调适问题研究”(19BKS085)。

摘　　要：《哪吒之魔童降世》力图承担新生代年轻人的个体认同及家国认同合二为一的编码任务。《哪吒之魔童降世》以新生代年轻人为核心目标受众,其中魔童哪吒是以新生代年轻人的镜像量身打造。哪吒的孤独化、个性化及幼态化人设,形成了高度自我中心的影像表达,与新生代年轻观众的个体化情感诉求形成共鸣。与此同时,哪吒的成长设定则回应国家的集体主义意识形态引领,经由父亲李靖的形象改写,召唤着新生代年轻人将对家庭责任的认同内化为对国家责任的认同,最终升华出由父权规训而政治规训的成人仪式。然而,电影虽然已做到从个体认同出发连接家国认同,但以回归父权的前现代方式去改造后现代的"新"青年,以求培育现代化中国所需要的时代新人,隐现出个体认同与家国认同整合叙事的困境。Ne Zha:I Am the Destiny tries for some new breakthroughs on the narrative integration about individual identity and national identity of new youth.in Ne Zha,Ne Zha is a mirror image of the post-90s or post-00s young generation,whose growth setting caters to the nation's collective socialist ideology,finally achieved political discipline by patriarchal discipline as the desired mediation logic.Overall,Ne Zha is trying to develop national identity fused into individual identification of post-modern new youth by a premodern patriarchal approach,which might be impractical and idealistic in reality.

关 键 词：哪吒 新青年 家国认同 父权 

分 类 号：G412[文化科学—教育学]