从《妈祖》到《花木兰》——关于陈惠芬、王勇大型舞剧创作的述评  被引量:1

From Mazu to Mulan Comments on the Choreographic Art of Large-scale Dance Dramas by Chen Huifen and Wang Yong

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作  者:于平 Yu Ping

机构地区:[1]国家艺术基金专家委员会 [2]中国文艺评论家协会 [3]南京艺术学院舞蹈学院

出  处:《当代舞蹈艺术研究》2021年第1期30-37,共8页Contemporary Dance Research

基  金:国家社科基金艺术学重大招标项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949-2019)”(项目编号:19ZD17)成果之一。

摘  要:1986年第二届全国舞蹈比赛,陈惠芬、王勇共同创作的两个独舞作品《采蘑菇》和《小小水兵》均荣获编导二等奖,二人从寻找失落的"童心"出发,正式亮相于舞蹈界。怀揣着对"童心"的兴趣和情感,二人又推出了主题名为《星星河》的陈惠芬舞蹈专场晚会。此后,陈惠芬、王勇的再一次亮相便是1998年的首届中国舞蹈"荷花奖"比赛,他们以女子群舞《天边的红云》荣获金奖。之后又相继创作了舞蹈诗剧《妈祖》《天边的红云》和舞剧《藏羚羊》《八女投江》《花木兰》等优秀作品。陈惠芬、王勇的舞剧具有独特的编创风格,一是群像氛围的营造,二是人物性格细节刻画的缜密机巧-在许多情境中,人物细节刻画的意象往往成为群像氛围营造的点睛之笔。此外,自陈惠芬最初以《采蘑菇》中"小姑娘"的形象"亮相"舞坛之后,二人的创作中始终有一团"红云"的意象在作引导,这便是深扎于"军旅情结"中的"英雄情怀"。At the Second National Dance Competition in 1986,Chen Huifen and Wang Yong won runner-up prizes for their solo dances"Mushroom Picking"and"Little Sailors".In a sense,they made their debut in the Chinese dance community by exploring the world of kids.Later,continuing their interest in"childlike innocence",they held a"Chen Huifen Dance Party"under the name of"The Stars River".Their names were known again at the first"Lotus Award"competition in 1998.They won the gold medal for a female group dance entitled"Red Cloud in the Sky".Still later,they choreographed a series of outstanding works such as dance poem Mazu and dance dramas Tibetan Antelope and Mulan.Chen Huifen and Wang Yong’s dance dramas showed several unique features:one is the creation of a group portrait,or an ambient imagery,and the second is meticulous characterization.In many situations,detailed characterization is the finishing touch of group portrait creation.Since Chen Huifen first amazed the dance community for presenting the girls in"Mushroom Picking",the image of"red cloud"has been predominant in their works,which is in the"heroism"rooted of the army.

关 键 词:陈惠芬 王勇 舞剧创作 群像营造 性格刻画 

分 类 号:G62[文化科学—教育学]

 

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