永乐宫三清殿壁画中家具图像考证分析  

Debate and Analysis of Furniture Images in the Mural of the Sanqing Hall of Yongle Palace

作　　者：徐小川 刘铁军[1] Xu Xiaochuan;Liu Tiejun

机构地区：[1]清华大学美术学院,北京100084

出　　处：《家具与室内装饰》2021年第7期1-6,共6页Furniture & Interior Design

基　　金：国家重点研发计划项目(2019YFB1405700)。

摘　　要：山西永乐宫三清殿壁画绘制于十三世纪前后,描绘的是道教经典《朝元图》中众神拜谒元始天尊的盛大场景,壁画按方位可分为东壁、北壁、西壁三部分,所绘家具共计十五件,呈现出一种独特的设计风格,基本制式为元代或更早,装饰风格受宗教等文化因素呈现为多样性。永乐宫作为元代全真道教的祖庭,其主殿三清殿壁画中出现的家具图像可谓那一时期宗教壁画家具的最高规制。壁画家具作为图像家具的重要组成部分,是研究同时期家具的重要参考元素,笔者将在文中分别对这些家具的形制、风格及成因展开详细阐述。The murals of the Sanqing Hall of Yongle Palace in Shanxi were painted around the 13th century,depicting the grand scene of the Taoist classic picture“Chaoyuantu”in which the immortals worship the Celestial Divine of the Origin.The murals consist of three parts according to their locations,namely,the east wall,the north wall,and the west wall.There are 15 pieces of furniture painted in the murals,showing a unique design style.Their basic style format came from Yuan Dynasty or before,and the decoration style was diversified under the influence of cultural factors such as religion.Yongle Palace serves as the Ancestral Court of the Quanzhen Taoism in the Yuan Dynasty.Due to this reason,the furniture images that appeared in the murals of Sanqing Hall can be described as the highest regulation of religious mural furniture at that time.Mural furniture,as an important part of image furniture,is an important reference element for the study of furniture in the same period.The author will elaborate on the shape,style,and origin of the furniture in the article.

关 键 词：永乐宫三清殿 图像家具 壁画家具 

分 类 号：TS664[轻工技术与工程]