非遗佛山木版年画在当代空间中的应用研究  

The Practical Application of Foshan Woodcut Spring Festival Pictures in Contemporary Space

作　　者：居华倩[1] 彭文利[1] 梁彦 Ju Huaqian;Peng Wenli;Liang Yan

机构地区：[1]佛山职业技术学院电子信息学院,广东佛山528137 [2]四川大学艺术学院,四川成都610065

出　　处：《家具与室内装饰》2021年第7期120-125,共6页Furniture & Interior Design

基　　金：佛山职业技术学院科研项目“冯氏佛山木版年画国家非物质文化遗产技能大师工作室”(DS202002);中共佛山市委组织部2020年竞争性扶持人才项目“佛山文化创意产业创新创业型人才培养基地”(202004)。

摘　　要：研究佛山木版年画在岭南传统室内空间装饰体系中的角色功能。通过题材、色彩、造型、构图来分析其如何达成构建空间主题、衬托空间形象、渲染空间氛围、建立空间秩序的装饰目标。关注传统形态向现代形式转化中的方法层面,探讨简化、萃取、替换等诸种转化方式的效果和特点。通过实际案例演述佛山木版年画脱离传统空间叙事结构,从固定图式拆解为观念化的装饰手法与趣味,与现代室内装饰各设计要素相互渗透融合的作用过程,揭示佛山木版年画被赋予现代装饰涵义的情形及当代价值取向。The paper mainly studies the role Woodcut Spring Festival Picture plays in Guangdong traditional interior decoration.Focusing on its theme,color,modeling,and composition,we analyzed how they managed to achieve the decorative goal of constructing interior space,set off space visual image,creating indoor atmosphere,and building visual order.It pays attention to the methodology of transforming the pictures from a traditional form to a modern one and discusses the effect and characteristics of their simplification,extraction,and alternation.Through a practical case study,this paper reproduces the narrative structure of how the Foshan Woodcut Spring Festival Picture has evolved from its traditional form by disassembling the constant images into decorative techniques and style and integrating with all design elements of modern interior decoration.It aims to reflect how Foshan Woodcut Spring Festival Picture was bestowed with modern decorative meaning and what contemporary value it possesses.

关 键 词：佛山木版年画 装饰 转化 现代形态 

分 类 号：TS664.1[轻工技术与工程] TU238.2[建筑科学—建筑设计及理论]