茅盾的思想演进与俄苏文学资源(1919年—1949年)  

Mao Dun’s Thought Evolution and Russian and Soviet Literature Resources(1919—1949)

作　　者：侯敏[1] HOU Min

机构地区：[1]辽宁大学文学院,沈阳110136

出　　处：《天津师范大学学报（社会科学版）》2021年第3期123-128,共6页Journal of Tianjin Normal University(Social Science)

基　　金：辽宁省教育厅科学研究青年项目(LQN202035);辽宁省社会科学基金项目(L20BZW006);2020年度辽宁大学本科教学改革项目(JG2020YBXM134)。

摘　　要：茅盾五四时期"为人生"观念的生发、二三十年代无产阶级艺术观的确立,乃至40年代出于政治信仰对无产阶级艺术观的进一步拓进与深化,都与其对俄苏文学、文化的观照和思考密切关联。茅盾对俄苏文学的审视,不仅促发了其思想的转变与演进,丰富了中国现代文学批评史和思想史的内涵,而且成为中国人民瞭望俄苏的"窗口",极大地拓宽了国人对俄苏认识的视野。Mao Dun’s conception of "for life" in the May 4th period,the establishment of proletarian art view in the 1920s and 1930s,and even the further expansion and deepening of proletarian art view due to political belief in the 1940s,are all closely related to his observation and reflection on Russian and Soviet literature and culture. Mao Dun’s review of Russian and Soviet literature not only promoted the transformation and evolution of his own thoughts,enriched the connotation of the history of modern Chinese literary criticism and ideological history,but also became the "window" for Chinese people to look at Russia and The Soviet Union,which greatly expanding the Chinese people’s understanding of Russia and The Soviet Union. Therefore,this study has important academic value and practical significance.

关 键 词：茅盾 俄苏文学 无产阶级艺术观 五四时期 

分 类 号：I206.6[文学—中国文学] I512.095