普希金的象征诗学:符号、体系和原型--以普希金19世纪30年代的创作为例  

Pushkin’s symbolic poetics in his creation of 1830s

作　　者：康澄 伍廖圆 Kang Cheng;Wu Liaoyuan

机构地区：[1]华南师范大学外国语言文化学院

出　　处：《俄罗斯文艺》2021年第3期139-147,共9页Russian Literature & Arts

摘　　要：普希金擅用象征,其创作中象征意象数量众多,至19世纪30年代初渐成体系,形成了独特的象征诗学。核心象征符号既是普希金作品的"情节基因",又仿佛一个意义"压缩程序",成为作品深刻内涵的基石和多元阐释的源泉;普希金的象征具有突出的体系化特征,动态与对照是该体系的两大特点;普希金的象征带有明显的文化原型意义,承续了来自文化记忆深处的神话母题,在俄罗斯文化的语境中获得新的情节和意义。Pushkin is an expert in using symbols.A large number of Pushkin’s symbols gradually become a system firmly established in his creation of 1830 s and form the unique symbolic poetics.The core symbols are not only the"plot gene"of Pushkin’s works,but also like a"condensing program",which becomes the foundation of the profound connotation of the works and the source of multiple interpretations;Pushkin’s symbols have prominent systematized characteristics.Dynamics and comparison are two main features of this system;Pushkin’s symbols also have obvious meanings of cultural archetypes,which inhe rit the motifs of myth from the depths of the cultural memory,obtain new plots and meanings in the context of Russian culture.

关 键 词：普希金 象征 象征诗学 

分 类 号：I512.06[文学—其他各国文学]