从非裔流散视角解读莫里森《所罗门之歌》中的双重回归之旅  

An interpretation of the double return in morrison’s song of solomon from the perspective of African diaspora

作　　者：韩秀[1] Han Xiu(School of English Studies, Dalian University of Foreign Languages, Dalian 116044, China)

机构地区：[1]大连外国语大学英语学院,辽宁大连116044

出　　处：《辽宁师范大学学报（社会科学版）》2021年第4期88-95,共8页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社会科学基金青年项目“非裔流散视角下的托妮·莫里森作品研究”(18CWW024)。

摘　　要：回归作为非裔流散三大核心问题之一,在非裔流散文学中占据重要地位。本文通过从非裔视角解读莫里森《所罗门之歌》中主人公奶娃在事实与想象中的双重回归之旅,展现了其在文化无根的焦虑下踏上南下旅程,并从一个秉持金钱至上价值观且深受种族主义思想影响的文化旁观者,逐渐抛却偏见,学会对自然和黑人同胞的爱与尊重,并最终蜕变为互助互爱的南方精神传承者的过程。同时,借奶娃的顿悟,莫里森也表达了她对当代美国非裔流散族群以抛弃在接收地建成的家园为代价返回非洲的反对观点,以及对于将美国南方视为当代美国非裔流散族群第二故乡,并对互助互爱的南方精神进行想象回归的支持。As one of the three major issues of African diaspora,the motif of return has played a significant role in African diasporic literature.From the perspective of African diaspora,this paper endeavors to offer an interpretation of the protagonist Milkman’s double returns,namely the actual and the imaginary,in Morrison’s Song of Solomon,revealing how Milkman,under the anxiety of cultural rootlessness,sets out on a southwards journey,which turns him from a condescending cultural outsider who is deeply embedded with the money-driven value system and heavily influenced by racist thinking into a cultural successor who gradually abandons his prejudice,learns to love and respect nature and his fellow blacks,and finally embraces the southern spirit of mutual care and love.Meanwhile,through Milkman’s epiphany,Morrison also reveals her opposition against the actual return of contemporary African-American diasporic groups to Africa at the cost of leaving behind their already constructed homes in the recipient land,as well as her support for regarding southern America as the second homeland for contemporary African-American diaspora and for an imaginary return to the southern spirit of mutual love and care.

关 键 词：非裔流散 回归 《所罗门之歌》 想象的家园 

分 类 号：I106.4[文学—世界文学]