马克思形象在中国美术创作中的阐释与构建  

Interpretation and Construction of Marxs Image in Chinese Artistic Creation

作　　者：冯晗 沈宝莲[2] Feng Han;Shen Baolian

机构地区：[1]陕西师范大学美术学院 [2]西安美术学院马克思主义学院

出　　处：《美术》2021年第7期21-26,共6页Art Magazine

基　　金：陕西省社会科学基金项目(项目号:2016B0040)的阶段性成果。

摘　　要：20世纪初,马克思主义传入中国,为探寻救亡图存出路的中国人民提供了思想来源、指明了前进方向,而伴随其传入中国的还有马克思的形象。回顾中国共产党成立百年间关于马克思形象的美术创作,不难发现,随着历史演进、马克思主义在中国指导地位的确立以及其真理力量的显现,中国人对马克思形象的认知经历了一个由符号象征到真理表征的过程,塑造了一个个鲜活、饱满的马克思形象。Marxism was introduced in China in early 1900s.It provided ideological references and guiding principles for the Chinese people in their attempts to save the nation.Together with Marxs thoughts,his personal image also became familiar in China.Looking back at the artistic creations on Marxs image over the hundred-year history of the CPC,one can easily capture the change of the Chinese peoples comprehension on Marxs image from a symbol to a representative of truth.Such process occurred alongside the wheel of the history as Marxism gained its guiding position in China and its power of truth was proved.Thus,images of Marx with live and vivid depictions have been created one after another.

关 键 词：马克思 主题性绘画 中国共产党 

分 类 号：J205[艺术—美术]