“画”向胜利--解放战争时期中国共产党领导下的美术宣传与革命动员  

“Draw”Near to the Victory:the Fine Arts Propaganda and Revolution Mobilization Led by the Communist Party of China during China’s War of Liberation(1946-1949)

作　　者：贾登红[1] Jia Denghong

机构地区：[1]山西大学中国社会史研究中心

出　　处：《美术》2021年第7期88-95,102,共9页Art Magazine

基　　金：2020年国家社科基金一般项目“山西革命根据地契约文书搜集、整理与研究”(立项批准号:20BDJ069)的阶段性成果

摘　　要：美术宣传是中国共产党在解放战争时期进行民众动员的一项重要手段。中国共产党通过对传统美术形式的"解放"、推动美术下乡与深入火线、推广幻灯片、出版发行画报画刊等方式,在解放区及前线掀起了一场美术革命浪潮。在这一浪潮中,中共通过对各类美术创作范式的转换与内容的重新定义,借以美术作品直抵农民、战士等社会各阶层的心灵世界,争取到了最广泛的民众支持,实现了以艺术服务政治,运用美术进行革命动员的目的。此项研究的开展有助于我们考察解放战争时期美术宣传与革命动员之间复杂的互动关系,为理解中共党史、革命史提供新的视角。The fine arts propaganda played an important role in CPC’s efforts to mobilizing the Chinese people during China’s War of Liberation(1946-1949). By "literalizing" conventional forms of arts, introducing the fine arts in rural areas and at the frontline, popularizing lantern slides, and publishing illustrated newspapers and magazines, the Party inspired a cascade of art revolution in liberated areas and at the frontline. Facilitated by the trend, the CPC transformed the creation patterns of various forms of art and re-defined many of their contents, touching the mental world of farmers, soldiers and other walks of life with art works, hence achieving the most extensive support from its people. Such measures realized the Party’s vision of art as an approach to serving politics and a tool of mobilization. This research will offer us more information on the interactive relations between the fine arts propaganda and revolution mobilization during the War of Liberation and a novel prospective to understand the history of the CPC and its revolution.

关 键 词：画报解放区 中国共产党 革命动员 

分 类 号：J209[艺术—美术]