兰斯顿·休斯布鲁斯诗歌喻指解读  

An Interpretation of Signification in Langston Hughes’s Blues Poems

作　　者：贺冬梅[1] HE Dongmei

机构地区：[1]湖南城建职业技术学院基础课部,湖南湘潭411104

出　　处：《科教文汇》2021年第21期190-192,共3页Journal of Science and Education

摘　　要：诗歌和音乐是紧密相连的,诗歌是集音乐性和思想性为一体的。布鲁斯音乐是代表黑人文化特质的音乐符号,而兰斯顿·休斯则是将黑人布鲁斯音乐引入诗歌创作的先行者。该文借用小亨利·路易斯·盖茨的喻指理论,从休斯诗歌的文本内容及内在结构入手,分析休斯诗歌如何通过与布鲁斯音乐相结合来体现黑人的民族传统和种族身份,并利用这一外在形式折射黑人的苦难生活现实,表达对民族平等的追求。Poetry and music are closely linked,and poetry integrates musicality and ideology.Blues music is a musical symbol representing the characteristics of black culture,and Langston Hughes is the pioneer who introduced black blues music into poetry.Drawing on Henry Louis Gates,Jr.’s theory of signification,and starting from the textual content and internal structure of Hughes’s poems,this paper analyzes how Hughes’s poems are combined with blues music to embody black people’s ethnic traditions and racial identity,and use this external form to reflect the realities of black people’s suffering life,and express the pursuit of ethnic equality.

关 键 词：兰斯顿·休斯 喻指 布鲁斯 爵士 

分 类 号：H315[语言文字—英语]