张大千艺术创作的佛教因缘探析  

A Probe into Buddhist Elements in ZHANG Daqian’s Creation

作　　者：周万里 ZHOU Wanli(Neijiang ZHANG Daqian Gallery, Neijiang, Sichuan, 641002, China)

机构地区：[1]内江张大千美术馆,四川内江641002

出　　处：《内江师范学院学报》2021年第7期17-21,共5页Journal of Neijiang Normal University

基　　金：四川省教育厅人文社会科学(张大千研究)一般项目“佛教思想和文化对张大千艺术人生的影响”(zdq2019-11)。

摘　　要：张大千一生和佛教的关联紧密,深受佛家思想和佛教艺术的影响,佛教的滋养在他艺术风格形成的过程中发挥了重要作用。从“百日和尚”的经历和“石涛专家”,到成为有体系、成规模地临仿研究敦煌“第一人”,正是他与佛教渊源的深刻体现。而佛教艺术也在张大千的绘画、诗词、题签、篆刻和跋语等方面得到了充分的展现,包含了他对佛教艺术的感悟和心得,表现了他豁达澄明的人生观和艺术境界。In all his life,ZHANG Daqian was deeply influenced by Buddhist thought and art,and kept close relation with Buddhism.The Buddhist nourishment played a great role in the formation of his artistic style.The change from“a hundred-day monk”to“a SHI Tao specialist”,and then to the“first man”who systematically copied and studied Dunhuang paintings in a large scale,was the profound expression of his relation with Buddhism.And the Buddhist art was fully manifested in his paintings,lyrics and poems,title labels,seal cuttings and inscriptions.These contained his feelings of Buddhist culture and expressed his open and clear view toward life and artistic state.

关 键 词：张大千 绘画艺术 佛教文化 

分 类 号：J03[艺术—艺术理论]