汪曾祺的水情结与小说创作  

Wang Zengqi’s Complex with the Water and His Novel Creation

作　　者：靳新来[1] JIN Xin-lai(School of Liberal Arts,Nantong University,Nantong 226019,China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2021年第4期69-77,共9页Journal of Nantong University:Social Sciences Edition

摘　　要：汪曾祺具有深厚的水情结,这得自他从小的生活经验而联通呼应着中国文化的“水崇拜”传统。水情结对他的小说创作有深刻影响:小说中的风景书写总少不了水,人物——尤其是少女形象——更是被赋予浓郁的“水气”,其独特的小说文体可称为“流水体”。汪曾祺是一位经传统水文化濡染的“智者”,他在水情结制约下的小说创作是对江南文脉的传承和发扬,又重续了冲断已久的“京派”文学传统,并直接诱发了“寻根小说”“先锋小说”等重要风格流派的孕育和诞生,有着承上启下的文学史地位。There is a rigorous water complex within Wang Zengqi which originates from the water worship tradition in Chinese culture implanted from his childhood life.This water complex impacts considerably on his novel creation:water always making its presence in his landscape depictions;his characters,young ladies in particular,always granted with a profound water spirit,this unique style of his novels thus to be termed“running-water style”.As a sage merged in the traditional water culture,Wang’s novel creation directed by this complex proves to be an inheritance and promotion of South-Yangtze cultural vein,and a continuation of the long-terminated“Peking Style”literature tradition,and directly leads to the conception and birth of“root-finding novels”and“pioneering novels”,connecting the previous and the following literary periods.

关 键 词：汪曾祺 水情结 文化原型 水文化 小说文体 

分 类 号：I207.42[文学—中国文学]