论林语堂小说的感觉叙事  

On the Sensory Narration of Lin Yutang's Novels

作　　者：李珂[1] 肖百容[1] LI Ke;XIAO Bai-rong(College of Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南大学学报（社会科学版）》2021年第4期99-105,共7页Journal of Hunan University(Social Sciences)

基　　金：湖南省社科基金重点项目:外国语资源与中国新文学(16ZDB012)。

摘　　要：一般来说,情感与思想是小说中事件的起点和落脚点,也是事件发展的原动力,感觉只是陪衬、背景和氛围。可在林语堂的小说叙事中,感觉往往成为事件的缘起、转折点和终点。感觉不仅是事件过程的"决定者",还是事件意义的"赋予者"。在他所谓的重大事件——"生死"与"丧失"里,人的感觉被发现和释放出来,并实现生命的升华。林语堂的感觉叙事生动复杂又变幻多姿,它们好像按照某种自然程序进行,事先无法做出预测。它不是群体理性的表现,而是人物复杂个性的展示,从而可以淋漓尽致地诠释新文学的个性解放主题,也赓续和创新了中西叙事传统,弥补和纠正了新文学甚至世界现代文学的某些偏误。Generally speaking,emotion and thought are not only the starting point and foothold of the events in the novel,but also the motive force of the development of the events.Feeling is only the background and atmosphere.However,in Lin Yutang's novel narration,feeling often becomes the origin,turning point and ending point of the event.Feeling is not merely the decider of the event process,but also the giver of the meaning of the event.In his so-called major events-life and death and loss,human feelings are discovered and released to realize the sublimation of life.Lin Yutang's sensory narration is vivid,complicated and changeable.They seem to follow some natural procedure which cannot be predicted in advance.It is not the expression of group rationality,but the display of characters'complex personalities,thus it can fully interpret the theme of personality liberation in new literature,continue and innovate the Chinese and Western narrative traditions,and make up and correct some errors in new literature and even modern literature in the world.

关 键 词：感觉 林语堂 生死 升华 

分 类 号：I206.6[文学—中国文学]