中国共产党与延安文艺运动  

The Communist Party of China and the Literary and Artistic Movement in Yan’an

作　　者：刘润为 杨毓康 Liu Runwei;Yang Yukang

机构地区：[1]中国红色文化研究会 [2]中国人民大学

出　　处：《世界社会主义研究》2021年第6期11-19,M0003,共10页World Socialism Studies

摘　　要：人民是文艺的第一创造者,理所当然地应该成为文艺的主人。但是,在剥削阶级统治的旧中国,人民的文艺权利却几乎被剥夺殆尽,这无疑是对历史的颠倒。在中国,真正把人民置于文艺主人公地位的,是觉醒的劳动人民自己,是觉醒的劳动人民的代表——中国共产党。延安文艺运动是中国共产党领导人民进行的一次划时代的文化创造。毛泽东《在延安文艺座谈会上的讲话》的发表,标志着中国人民有了自己的文艺理论体系;大规模的延安文艺运动,表明中国人民已经成为文艺的真正主人。捍卫人民文艺任重而道远,必须进行毫不懈怠的战斗。Since the people is the first creator of literature and arts,they are entitled to be the master of literary and artistic works.However,at the time when China was ruled by exploiting classes,the people were deprived of literary and artistic rights,which was undoubtedly a reversal of the historical truth.In China,it is the awakened working people themselves and their representative—the Communist Party of China—that really put the people in the master’s position of literature and art.Yan’an Literary and Artistic Movement is an epochal cultural creation led by the Communist Party of China.The publication of Mao Zedong’s“Talks at the Yan’an Forum on Literature and Arts”marked the beginning for the Chinese people to have their own theoretical system of literature and arts;the large-scale Yan’an Literary and Artistic Movement showed that the Chinese people became the true master of literature and arts.As there is a long way to go to defend people’s literature and arts,we must carry out long-term and tenacious fighting for it.

关 键 词：中国共产党 左翼文艺阵营《讲话》 延安文艺运动 文艺主人公 

分 类 号：I206.6[文学—中国文学] J120.9[艺术—艺术理论] D231[政治法律—政治学]