静态角色与动态角色:系列片的人物塑造及意义表达研究  

Static Roles and Dynamic Roles:The Characterization and Meaning-Making in Film Series

作　　者：梁君健[1] Liang Junjian

机构地区：[1]清华大学新闻传播学院

出　　处：《中国社会科学院研究生院学报》2021年第3期90-100,共11页Journal of Graduate School of Chinese Academy of Social Sciences

摘　　要：系列片是当下重要的大众文化形态,系列片生产也是当下全球影视生产的大趋势之一。系列化角色的塑造既是这类影视作品的重要创作任务,也被赋予了特定的社会文化意义。在叙事学和文化研究的视角下,笔者将系列化角色区分为静态角色与动态角色两个类型,对其创作规律及意义表达展开研究。笔者认为,系列片的静态角色主要通过人物与外部力量之间的外在冲突实现类型化的叙事,投射和解决外部世界变迁带来的群体焦虑;动态角色则通过人物内部世界的欲望和张力完成对于角色变化的描摹,并通过成长母题和情感叙事呼应青年群体的自我认同与身份议题。Film series are an important form of popular culture nowadays,and the production of film series is a significant trend of global film industry.The characterization of roles in film series is a prime creative task of film series,and it is endowed with special socio-cultural meanings.Under the research scopes of narratology and cultural studies,this paper adopts a static-dynamic structure to distinguish different kinds of major roles in film series to study the rules of them being created,and the meaning-making through them.It is found that the external conflict between static roles and external forces helps to realize typed narrative,reflecting and resolving the group anxiety coming from a changing external world;the dynamic roles,on the other hand,realize the depiction of the changes in them through their inner desires and tensions,and echo with the self-identity and other identity issues of the youth groups through the growth motif and emotional narrative.

关 键 词：系列片 系列角色 类型叙事 成长母题 情感经验 

分 类 号：J902[艺术—电影电视艺术]