拉魂旧腔谱新歌--当代泗州戏剧目生产机制论析  

Composing New Songs in Old Lahun Singing Tune:On the Production Mechanism of Contemporary Sizhou Opera Repertoires

作　　者：周涛[1] ZHOU Tao(School of Chinese Language and Literature,Huangshan University,Huangshan 245041,Anhui)

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《阜阳师范大学学报（社会科学版）》2021年第3期12-19,共8页Journal of Fuyang Normal University：Social Science

基　　金：安徽省哲学社会科学规划项目“安徽当代地方戏曲剧目民俗记忆研究”(AHSKY2016D154).

摘　　要：泗州戏拥有民俗艺术的精神品格,凭借剧目得以存在和表现.其传统剧目提供了作为民俗镜像的戏剧情境,当代剧目显示出经由民俗记忆生发出时代话语的生产路径,近年来的剧目创作更是表现出自觉汲取民俗资源的新动向.聚焦民俗,表述时代,当代泗州戏剧目生产机制的两个基本维度,使其能够获取创作源泉,保障剧种特质,建立接受结构,更新内容与形式,并达成现实意义,呈现可持续发展态势.Owning the spiritual character of fblkloric art,Sizhou opera can exist and be expressed by virtue of its repertoires.In Sizhou opera,the traditional repertoires provided drama situation as the mirror image of folk custom,and contemporary repertoires show the production path of producing era discourse through folkloric memory.Especially in recent years,the repertoires creation of Sizhou opera shows a new trend of consciously absorbing fblkloric resources.In the production mechanism of Sizhou opera,there are two basic dimensions,which are composed of focusing on folklore and expressing the times,so that Sizhou opera can obtain the source of creation,guarantee the feature of opera,establish the acceptance structure,update the content and form,achieve realistic significance,and present the trend of sustainable development.

关 键 词：泗州戏 剧目 民俗 生产机制 

分 类 号：I207.301[文学—中国文学]