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作 者:李璐 LI Lu(College of Humanities,Shanghai Jiaotong University,Shanghai,200240,China)
出 处:《西安石油大学学报(社会科学版)》2021年第4期109-112,共4页Journal of Xi’an Shiyou University:Social Science Edition
摘 要:陈寅恪先生在《元白诗笺证稿》中提出“雨霖铃”的制曲时空问题,他以《长恨歌》诗证史,赞同“雨霖铃”作于唐玄宗在“安史之乱”爆发后赴蜀途中(天宝十五年,756)的说法,并根据玄宗回驾京师的季节否定了“雨霖铃”作于玄宗归京途中(至德二年,757)的观点。在对《全唐诗》中的“霖”字和唐代的“霖雨”天气加以考证之后,可以发现,“雨霖铃”作于玄宗归京途中实有可能,但其作于玄宗赴蜀或居蜀时秋季的可能性更大。In the Manuscript of Study on Yuan and Bai Poems,Chen Yinke proposed the time and space problem of"Yu Lin Ling".He used Song of Unending Sorrow to reflect the history,and agreed with the statement that"Yu Lin Ling"was composed on Tang Xuanzong's way to Shu area(756,the 15th year of Tianbao)after the outbreak of"rebellion of An Lushanand Shi Siming".According to the season of Xuanzong's return to the capital,he denied that"Yu Lin Ling"was composed on emperor's way back to Chang'an(757,the 2nd year of Zhide).But after textual research on the word"Lin"in the whole Tang poetry and the weather of"Lin Yu"in Tang Dynasty,it can be proved that"Yu Lin Ling"was composed possibly on Xuanzong's way back to Chang'an,but it is more likely that the song was composed in autumn when Xuanzong went to or lived in Shu area.
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