问题、概念及意义建构:“民族形式”论争再检讨  

Problems,Concepts and Meaning Construction:A Review of the Argument on National Form

作　　者：李慧 Li Hui(School of Chinese Language and Literature,Shandong Normal University,Jinan Shandong,250014)

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《山东师范大学学报（社会科学版）》2021年第3期47-56,共10页Journal of Shandong Normal University(Social Sciences)

基　　金：作者主持研究的山东省艺术科学重点课题“中央苏区文艺政策成功经验及对当前文艺宣传的启示研究”(ZD202008002)的阶段性成果。

摘　　要："民族形式"论争是以文艺的方式对新民主主义文化共同体建设的想象、叙述和表达。这次讨论是在民族化与现代化、旧形式与民族形式的矛盾关系中进行意义的建构,旨在民族化的路径上探索大众化的文艺发展新模式。民族形式命题把传统文艺资源引进文艺的内在结构,改变了我国文艺现代化的发展路径。从党领导我国文艺实践的百年历史进程来看,中国共产党最先发起了文艺民族形式的探讨和论争,这一论争本质上是对马克思主义文论中国化的探索和尝试,为马克思主义文论中国化的理论建构奠定了基础。The argument on"national form"is the imagination,narration and expression of the construction of a new democratic cultural community in the way of literature and art.The argument is a meaning construction carried on in the contradiction between nationalization and popularization and the old forms and national forms,aiming to explore a new model of popular literary and art development on the path of nationalization.The proposition of national form introduces traditional literary and art resources into the internal structure of literature and art and transforms the development path of China’s literary and art modernization.From the perspective of the century-old historical process of China’s literary and art practice,the Communist Party of China first initiated the discussion and argument on the national form of literature and art,which is essentially an exploration of and attempt at localizing Marxist literary theory,and also lays the foundation for the theoretical construction of the localization of Marxist literary theory in China.

关 键 词：民族形式 传统文化 大众化 民族化 现代化 

分 类 号：I209.6[文学—中国文学]