中国现代文学中的基督教人物形象  

A Study on the Creation of Christians’ Images in Modern Chinese Literature

作　　者：任传印[1] REN Chuan-yin(College of Literature and Journalism,Xiangtan University,Xiangtan 411105,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《南京晓庄学院学报》2021年第3期47-53,123,共8页Journal of Nanjing Xiaozhuang University

基　　金：湖南省哲学社会科学基金项目“中国现代文学中的宗教人物形象塑造研究”(16JD61)。

摘　　要：近代西学入华,中国文学转型,基督教在中国影响日增,宗教界与文学界的作家作品塑造了诸多基督教人物形象,主要有传达信仰的宗教性书写、重视启蒙的批判式塑造、回归文学的审美化运用三种价值类型。宗教性书写与审美化运用都增加了文学的终极关切,前者侧重宗教情感,人神对话推动思维方式创新与审美经验拓展,体量有限;后者侧重审美想象,回归文学本体,受众较广。批判式塑造契合时代主潮与文化心理,影响较大,有利于从科学、人文、道德、文学等视角认识基督教。With the entry of Western learning into China in modern times,the transformation of Chinese literature and the increasing influence of Christianity in China,the writers and works in religious and literary circles have created many Christian characters,mainly including three value types:religious writing to convey belief,critical molding to attach importance to enlightenment,and aesthetic application of returning literature.Both religious writing and aesthetic application increase the ultimate concern of literature.The former focuses on religious emotion,and the dialogue between man and God promotes the innovation of thinking mode and the expansion of aesthetic experience,with limited volume;The latter focuses on aesthetic imagination and returns to literary noumenon.Critical shaping is in line with the main trend of the times and has great influence,which is conducive to understanding Christianity from the perspectives of science,humanities,morality and literature.

关 键 词：中国现代文学 基督教人物形象 价值导向 艺术表现 历史价值 

分 类 号：I299[文学—中国文学]