探析“一桌二椅”中的家具文化  

“One Table and Two Chairs”on the Stage

作　　者：赵文婷 闫小星 ZHAO Wenting;YAN Xiaoxing(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2021年第4期91-94,共4页Furniture

基　　金：江苏省基础研究计划(自然科学基金)项目(BK20201386)。

摘　　要：每一场出色的戏曲都会有丰富的布景与精湛的说唱表演,而布景当然少不了家具,在这些舞台表演中,处处可见家具的踪影。戏曲舞台上的家具以"一桌二椅"为主要代表。通过史料介绍"一桌二椅"的起源与发展历史,阐述了戏曲舞台上家具的分类和制作特色,并挖掘戏曲"一桌二椅"的文化内涵。戏曲舞台上的家具大致分为可折叠式和可变换式,在结构、装饰、材质等方面与生活中的家具制作大不相同,戏曲舞台上的"一桌二椅"具有以形写意、虚实相生和程式化的文化内涵。Every time an excellent opera will have rich scenery and exquisite performance.Of course,the ubiquitous furniture is indispensable for stage setting.The furniture on the opera stage is mainly represented by one table and two chairs.Based on the introduction of the origin and development history of one table and two chairs through historical materials,the classification and production characteristics of the furniture on the stage of opera are expounded and the cultural connotations of one table and two chairs are excavated.The furniture on the opera stage can be roughly divided into two types:foldable and changeable.In terms of structure,decoration and material,it is quite different from furniture in actual life.One table and two chairs on the opera stage have the cultural connotation of expressionism spirit,virtual reality and stylization.

关 键 词：“一桌二椅” 作用 特点 文化内涵 

分 类 号：TS664[轻工技术与工程]