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作 者:刘梦婷 LIU Meng-ting(School of Literature,Capital Normal University,Beijing 100089,China)
出 处:《辽东学院学报(社会科学版)》2021年第4期1-9,共9页Journal of Liaodong University:Social Science Edition
基 金:国家社会科学基金一般项目(18BZW087);北京市社会科学基金重大项目(17ZDA21)。
摘 要:《李太白全集》共辑录李白辞赋八篇,其中,四篇骚体赋的句式、地名、用典等大都出自《楚辞》和楚地文化;另外四篇赋作也在一定程度上运用了楚骚句式及相关典故。李白辞赋以暗用、化用、连用为主要用典方式,抒发了怀才不遇的情感和“恋君”式的情怀,辞赋中蕴含着极为浓郁的楚骚气息,不难看出李白对《楚辞》艺术及楚骚精神有着难以磨灭的情感追求。There are eight pieces of Li Bai’s Fu collected in Complete Collection of Li Taibai.Among them,the sentence patterns,place names and allusions of the four pieces of Sao-styled Fu are mostly from Chu Ci and Chu culture.The other four pieces also used Chu Ci sentence patterns and related allusions to a certain extent.With various usages of allusions,Li Bai expressed the emotion of being unrecognized for his talent and the feeling of“loving the monarch”.By the strong flavor of Chu Ci,it is easy to see that Li Bai has an indelible emotional pursuit of the Chu Ci art and spirit.
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