中国动画电影的民族文化传播——以《哪吒之魔童降世》为例  

National Culture Communication of Chinese Animated Film: Taking Nezha:Birth of the Demon Child as an Example

作　　者：刘秀梅[1] 王雅妮 LIU Xiumei;WANG Ya'ni(School of Communication,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学传播学院,上海200241

出　　处：《辽宁大学学报（哲学社会科学版）》2021年第3期127-133,共7页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：华东师范大学中华优秀文化传承与创新研究院专项课题(ECNU-CETC-201801);福建省社会科学规划青年项目(FJ2019C047)。

摘　　要：英雄神话在当代动画电影中的重构,是一种基于本土文化立场或时代背景的创作策略,也是建构民族、国家文化认同的有效方法。《哪吒之魔童降世》这部成功的商业动画电影,运用比较神话学中的"英雄之旅"模式,将传统的神话故事进行了现代性转换,其在民族文化建构和传播方面的创新对中国动画电影未来发展有可资借鉴之处。The reconstruction of Hero Myth in the contemporary animated film is a creative strategy based on the local cultural position or the background of the times, and is also an effective method to construct national cultural identity. Nezha, a successful commercial animated film, can be used for reference in the future development of Chinese animated film for its innovation in the construction and dissemination of national culture.

关 键 词：英雄神话 动画 民族文化 文化认同 传播 

分 类 号：G206.2[文化科学—传播学] J902[艺术—电影电视艺术]