地志的书写 大理杨丽萍表演艺术中心设计评述  

The Topographical Writing A Review on the Yang Liping Performing Arts Center

作　　者：曾巧巧 ZENG Qiaoqiao

机构地区：[1]昆明理工大学建筑与城市规划学院

出　　处：《时代建筑》2021年第4期86-95,共10页Time + Architecture

摘　　要：由朱锫建筑设计事务所设计完成的杨丽萍表演艺术中心地处大理苍山与洱海之间,是一座展现杨丽萍表演艺术的原生态歌舞演出剧场。建筑师以大理"山水间"的地平线为参照,从当地自然环境和气候条件出发,通过场地肌理的营造、乡土材料的介入、搭筑和编织等形式操作,实现了建筑室内外空间的拓扑和交错,转译并再现了苍洱山水独特的地景特质和日常生活场景。杨丽萍表演艺术中心延续了建筑师朱锫在一系列文化建筑创作中提出的"自然建筑"观念,期待"鸟来筑巢、风来穿越",并以"无用之用"回应其设计初衷。文章通过解读朱锫如何在杨丽萍艺术表演中心的设计中展开"自然建筑"话语的设计实践,对当代中国建筑师借助话语工具对自身创作进行反思展开进一步思考。Located between Cangshan Mountain and Erhai Lake in Dali,the Yang Liping Performing Arts Center,designed by Studio Zhu-Pei,is an ecological theater to present Yang Liping’s performing arts.Referencing the horizon of Dali landscape and departing from the local natural environment and climate conditions,through constructing site texture,involving local materials and operating forms such as weaving,the architect achieves the topology and crisscross of the building’s interior-exterior spaces,tran slating and representing the unique landscape features and daily-life scenes of Dali.Zhu Pei’s design work welcomes "birds to build nests and wind to pass through",in response to its original intention with "the Use of Uselessness".This paper interprets how Zhu Pei develops the design practice of "Natural Architecture" discourse in the design of Yang Liping Performing Arts Center,and further indicates contemporary Chinese architects’ reflection on their own creation with the help of the discourse as a tool.

关 键 词：杨丽萍表演艺术中心 朱锫建筑设计事务所 “自然建筑”话语 无用之用 地志 转译和再现 

分 类 号：TU-86[艺术—艺术设计] TU242.2[建筑科学—建筑设计及理论]