探析敦煌285窟顶壁画色彩与空间构图的艺术语言  

An Analysis of the Artistic Language of Color and Space Composition of Dunhuang Grotto 285 Top Mural

作　　者：吴昊 Wu Hao(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《艺术与设计（理论版）》2021年第8期117-119,共3页Art and Design

摘　　要：敦煌莫高窟是东方壁画绘画美学中的瑰宝。每一时代的作品呈现着一个时代的绘画特点,展现出画师杰出的想象力与创造力,其作品也凝结着古代匠人对宗教色彩美学与空间分布的智慧的结晶。文章从莫高窟中选取最具代表性的第285窟覆斗顶形穹顶进行研究,从当代色彩设计角度,分析古代东方公共空间中的色彩与空间的奥秘,这对现代公共空间分布应用设计学理论来研究其色彩空间构图具有一定参考意义。Dunhuang Mogao Grottoes is a gem among the aesthetics of oriental mural painting.The works of each era present the characteristics of the paintings of that era,as well as the outstanding imagination and creativity of painters.His work is the crystallization of the wisdom of ancient craftsmen on religious color aesthetics and spatial distribution.The most representative cave 285 dome-shaped dome was selected from the Mogao Grottoes for research.From the perspective of contemporary color design,the ancient oriental public space The mystery of color and space in the book has certain reference significance for modern public space distribution applied design theory to study its color space composition.

关 键 词：莫高窟第285窟 窟顶图像 色彩学 构图特点 空间分布 

分 类 号：J0[艺术—艺术理论] J218.6