过程中的艺术——观念艺术时期的“去物质化”创作理念与表达方式研究  

Art in the Process:Analysis of the Concept of Dematerialization and Its Methods of Expression in the Era of Conceptual Art

作　　者：高岩[1] 彭勇[2] Gao Yan;Peng Yong(School of Experimental Art of Tianjin Academy of Fine Arts,Tianjin 300402,China;School of Visual Design and Handicraft,Tianjin Academy of Fine Arts,Tianjin 300402,China)

机构地区：[1]天津美术学院实验艺术学院,天津300402 [2]天津美术学院视觉设计与手工艺术学院,天津300402

出　　处：《艺术与设计（理论版）》2021年第7期101-103,共3页Art and Design

摘　　要：观念艺术是受杜尚的艺术思想以及达达主义反传统、反资本主义精英文化立场引发的西方艺术潮流。其艺术实践不仅拓展了传统艺术的边界,还改变了现实中艺术品与大众的关系。文章试图从多个方面对20世纪60年代强调"艺术应该以观念的形式存在而非在物质载体中"的观念艺术的"去物质化"创作理念进行梳理和分析,以期为更多的艺术实践者带来参考和借鉴。Conceptual Art was a Western art trend triggered by Duchamp’s ideas and the Dadaist anti-tradition and anticapitalist elite culture stances.Its art practice not only expanded the boundary of traditional art,but also altered the relationship between artwork and the public in real life.Dematerialization was a concept advocated by the Conceptual Art prominent during the 1960 s–that art should exist in the form of ideas rather than the material carriers.This essay attempts to summarize and analysis this concept from different perspectives in the hope of providing art practitioners with references.

关 键 词：观念艺术 精神互动 介入 去物质化 文化反思 

分 类 号：J0-03[艺术—艺术理论]