南唐“苦吟”新变及其审美意义  

New Changes of“Kuyin”in the Nantang Dynasty and Their Aesthetic Significance

作　　者：郭倩[1] GUO Qian(College of Chinese Language and Literature,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2021年第3期63-69,共7页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：“苦吟”是中晚唐诗坛上开始出现的一种文学现象,对古典诗歌发展影响重大。唐宋之际诗歌重镇南唐的“苦吟”之风产生了新的变化,“苦吟”诗作语言清丽淡雅、善于描摹物态,对传统诗歌意象的含义和作用进行了显著的再造。这一变化深刻反映了唐宋之际诗歌创作群体及其创作心态的演变,并对后世全新审美范型的形成产生了重大影响。“Kuyin”was a literary phenomenon that began to appear in the poetry world of the middle and late Tang Dynasty,which had a great influence on the development of classical poetry.The style of“kuyin”in the Nantang Dynasty,when poetry was in blossom,had new changes during the alternation of Tang and Song Dynasties.The language was simple and elegant.It was good at describing the state of things,and it recreated the meaning and function of the traditional poetic images in a significant way.These changes profoundly reflected the evolution of the group of poets and their mentality in the Tang and Song Dynasties.It took on a strong influence on the formation of the new aesthetic paradigm in the later generations.

关 键 词：“苦吟” 南唐 唐宋之际 审美 

分 类 号：I206.2[文学—中国文学]