后殖民批评视域下《巨翅老人》的文化意蕴解读  

Interpretation of the Cultural Implication of A Very Old Man with Enormous Wings from the Perspective of Post-colonialism

作　　者：范景兰[1] 侯宣辰 FAN Jing-lan;HOU Xuan-chen(Literature College of Qinghai Normal University,Xining810016,China)

机构地区：[1]青海师范大学文学院,青海西宁810016

出　　处：《青海师范大学学报（社会科学版）》2021年第2期122-125,共4页Journal of Qinghai Normal University（Social Sciences）

摘　　要：1492年后,整个拉丁美洲逐渐陷入了被殖民的历史漩涡。到20世纪,拉美文化在殖民文化冲击下呈现出一种“混杂状态”。在后殖民时代下,文化的混血状况更是无法避免的。马尔克斯关注这种文化混血状况,将自己对于文化融合的思考融入创作。小说《巨翅老人》展示了欧洲殖民文化与本土文化尴尬的“混杂状态”,并对拉美的文化出路进行探索,试图在多元文化交杂的语境中重建拉美文化。After 1492,the whole of Latin America was plunged into the whirlpool of colonial history.In the 20th century,Latin American culture presented a"mixed state"under the impact of colonial culture.In the post-colonial era,the mixed culture is even more inevitable.Marquez paid attention to the situation of cultural hybridity and incorporated his thoughts on cultural integration into his creation.In A Very Old Man with Enormous Wings,the author shows the awkward"mixed state"between European colonial culture and native culture,explores the cultural outlet of Latin American culture,and attempts to reconstruct Latin American culture in a multicultural context.

关 键 词：混杂性 外来文化 本土文化 

分 类 号：I106.4[文学—世界文学]