20世纪90年代现实主义重构考——兼论“冲击波”与“重构论”的“沟通”  

A Textual Research on the Reconstruction of Realism in the 1990s——With Additional Discussion on"Communication"between"Shock Wave"and"Reconstruction Theory"

作　　者：孙立武 SUN Li-wu(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《内蒙古大学学报（哲学社会科学版）》2021年第3期78-83,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)

摘　　要：“现实主义重构论”作为20世纪90年代中期的理论潮流,最早诞生于《时代文学》的“现实主义重构论讨论专辑”。“现实主义冲击波”是20世纪90年代中期《上海文学》《人民文学》所推介的带有“新义”的创作潮流。一个代表20世纪90年代“现实主义”讨论的主要理论潮流,一个代表“现实主义”的主要创作倾向。理论阐释和创作实践上的对照和分析对于重新审视这一阶段的现实主义发展具有重要意义。20世纪90年代的理论争鸣文章和主要作品是重新认识和反思现实主义的主要考察材料。这些材料反映了20世纪90年代的现实主义在理论阐释和文本实践两个层面上存在着错位。As a theoretical trend in the mid-1990s,"realistic reconstruction theory"first appeared in the special issue of Shidai Literature discussing"realism reconstruction theory".The"realistic shock wave"is a creative trend with"new meaning"recommended by Shanghai Literature and People's Literature in the mid-1990s.One represents the main theoretical trend of"realism"discussion in the 1990s,and the other represents the main creative tendency of"realism".The comparison and analysis of theoretical interpretation and creative practice is of great significance to re-examine the development of realism in this stage.The theoretical articles and main works of the 1990s are the primary materials for investigation to rediscover and rethink realism.These materials reflect the disharmony between theoretical explanation and writing practice in realism in the 1990s.

关 键 词：现实主义 现实主义重构论 现实主义冲击波 《时代文学》 

分 类 号：I206.7[文学—中国文学]