天使与怪物——《觉醒》中“疯女人”形象研究  

Angel and Monster——Research on the “Madwomen” in The Awakening

作　　者：常虹 CHANG Hong(Harbin University,Harbin 150080,China)

机构地区：[1]哈尔滨学院,黑龙江哈尔滨150080

出　　处：《哈尔滨学院学报》2021年第7期73-77,共5页Journal of Harbin University

摘　　要："疯女人"形象是19世纪女性作家认同并共同书写的女性形象,是女性作家在父权诗学中心下克服女性作家身份焦虑的重要写作策略。在小说《觉醒》中,凯特·肖邦塑造了多位在19世纪父权中心文化统治下的"疯女人"形象,既有代表着"天使"的拉提诺夫人,又有代表着"怪物"的芮芝小姐。模式化的正反两位女性人物形象作为女主人公艾德娜的镜子,映照并影响着离经叛道的"疯女人"艾德娜的觉醒之路。肖邦通过书写小说中"疯女人"女性形象,克服女性作家身份焦虑,修正与反拨父权制的文学权威,建构属于女性自己的19世纪文学传统。Madwoman image is one of the female literature traditions that had been approached and composed by many woman writers in 19th century.It is also the crucial writing strategy for woman writers to overcome the anxiety of authorship in the patriarchal poetics.In the novel The Awakening,Kate Chopin created several"madwomen"under the domination of patriarchal central culture in 19th century,including"angle"Adele Ratignolle and"monster"Mademoiselle Reisz.As mirrors,these two stereotyped female characters reflected and influenced the rebellious"madwoman"Edna Pontellier’s awakening way.By the writing of"madwoman"image,Chopin overcame the anxiety of authorship in the patriarchal poetics,revised the patriarchal literary authority and established the woman literary tradition of their own in 19th century.

关 键 词：《觉醒》 天使 怪物 疯女人 女性文学传统 

分 类 号：I106.4[文学—世界文学]