溯源与省思——中国艺术歌曲概念之厘清与界定  

Traceability and Reflection—The Clarification and Definition of the Concept of Chinese Art Songs

作　　者：胡东冶[1] HU Dong-ye(School of Music Education,Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院音乐教育学院,辽宁沈阳110818

出　　处：《东北师大学报（哲学社会科学版）》2021年第5期65-74,共10页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社科基金艺术学项目(19BD059)。

摘　　要：近几十年来,业界对艺术歌曲的基本概念产生了一定的误解和偏差。艺术歌曲是美声声乐艺术中最重要的核心组成部分,对其概念理解和认知的不清晰,势必会对我国声乐艺术的整体发展产生不良的影响。从浪漫主义艺术歌曲的角度出发,中国艺术歌曲的概念可阐述为:基于诗乐平衡理念下,以较高文学水准的中文诗词为歌词,伴奏与人声旋律处于平等地位,在艺术表现上相辅相成的中文歌曲。In recent decades,the basic concept of art songs has been misunderstood by the field.Art songs are the most important core component of vocal art,and the unclear cognition of its concept will inevitably have a negative impact on the overall development of Chinese vocal art.From the perspective of romantic art songs,the concept of Chinese art songs can be described as follows:Based on the concept of poetry-music balance with lyrics from Chinese poetry of high literary level,Chinese songs with balanced accompaniment and vocal melody and all of these complement each other in artistic expression.

关 键 词：浪漫主义音乐 艺术歌曲 中国艺术歌曲 

分 类 号：J642.5[艺术—音乐]