情景交融的意境营构——辛笛三四十年代诗歌艺术初探  

Artistic Conception in Pursuit of Blending of Feelings and Scene--A Preliminary Study of Xin Di’s Poetic Art in the 1930s and 1940s

作　　者：梁圣涛 Liang Shengtao(Basic Department of Army Infantry Academy of PLA,Jiangxi Nanchang 330103,China)

机构地区：[1]陆军步兵学院基础部,江西南昌330103

出　　处：《衡阳师范学院学报》2021年第4期92-96,共5页Journal of Hengyang Normal University

摘　　要：意境是中国古典诗词的一个重要审美范畴,情景交融是其典型特征,辛笛三四十年代的新诗创作就具备这一特征。辛笛对诗歌情景交融的意境追求有着深厚的诗学渊源,其诗歌意境美的产生很大程度上得益于他独特的意象撷取。辛笛诗歌情景交融的意境特征主要表现在对传统意象的继承与改造、对西方现代诗歌表现手法如象征、印象画派技法等的巧妙化用。辛笛诗歌对情景交融意境的自觉追求与成功实践,为当代新诗创作及研究提供了重要的借鉴对象和研究范例。Artistic conception is an important aesthetic feature of Chinese traditional poetry.The blending of feelings and scene is an important performance of the artistic conception.Xin Di’s poems in the 1930s and 1940s show typical characteristics of artistic concep⁃tion.Xin Di’s conscious pursuit of the artistic conception of modern new poetry has a profound poetic origin.To a great extent,the artis⁃tic conception in his poems is due to his unique image selection.This is reflected in the inheritance and development of traditional im⁃age,in the use of expression techniques of Modern Western Poetry such as symbol and impressionist techniques.Xin Di’s poems in the 1930s and 1940s provided important reference objects and research examples for contemporary new poetry creation and research be⁃cause of his conscious pursuit of the artistic conception and successful practice.

关 键 词：辛笛诗歌 情景交融 诗学渊源 意象撷取 意境特征 

分 类 号：I106.2[文学—世界文学]