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作 者:郭维阳[1] Guo Weiyang(Xinjiang Arts University,Urumqi 830049)
机构地区:[1]新疆艺术学院,乌鲁木齐830049
出 处:《新疆艺术学院学报》2021年第3期65-70,共6页Journal of Xinjiang Arts University
摘 要:新疆且末岩画作为昆仑山系岩画的重要组成部分,以其鲜明的图像形式语言及原始审美趣味吸引人们在稚朴而灵动的岩画世界中驻足思考。且末动物主题岩画运用模仿自然、立形写势、改造生新和抽象图示等艺术手段记载了原始时期人们对美的朦胧探索。在原始宗教信仰的驱动下,早期且末人凭借对动物的熟悉和独特的二维平面化思维等原初审美体验,创造出且末动物岩画鲜活的画卷。探索新疆且末史前动物岩画对艺术创作和丰富新疆艺术史极具价值和意义。As an important part of the rock paintings of the Kunlun Mountains, Xinjiang’s Qiemo rock paintings attract people to stop and think in the naive and agile world of rock paintings with its distinctive image form language and original aesthetic taste. Qiemo’s animal-themed rock paintings used artistic methods such as imitating nature, writing gestures,transforming new ideas, and abstract illustrations to record people’s obscure exploration of beauty in the primitive period.Driven by primitive religious beliefs, the early Qiemopeople created vivid picture scrolls of Qiemo animal rock paintings by virtue of their familiarity with animals and unique two-dimensional planar thinking. Exploring the prehistoric animal rock paintings of Xinjiang Qiemo is of great value and significance for artistic creation and enriching Xinjiang art history.
关 键 词:新疆且末 史前岩画 动物雕刻 艺术表现 审美情怀
分 类 号:K879.4[历史地理—考古学及博物馆学]
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