“疯女人”形象解读--以《简·爱》和《黄色墙纸》为例  

An Interpretation of the Images of"Mad Women"--Take Jane Eyre and The Yellow Wallpaper as Examples

作　　者：周婷婷[1] ZHOU Ting-ting(Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学外国语学院,重庆401331

出　　处：《齐齐哈尔师范高等专科学校学报》2021年第3期37-39,共3页Journal of Qiqihar Junior Teachers College

摘　　要：从福柯的“疯癫美学”来看,文学作品中女性的“疯癫”并非纯粹的病理现象,而是父权话语建构的结果。通过分析《简·爱》中的伯莎·梅森和《黄色墙纸》中的“我”这两类“疯女人”形象,探讨在父权话语的规训下,“疯女人”的“疯癫”构建以及她们为寻找自己的精神家园所进行的反抗父权话语的“越界”实践。From the perspective of Foucault's"madness aesthetics",the"madness"of women in literature is not a purely pathological phenomenon,but the result of the construction of patriarchal discourse.Through analyzing the images of"mad women"of Bertha Mason in Jane Eyre and"I"in The Yellow Wallpaper.This article explores"mad women's"construction of"madness"under the discipline of patriarchal discourse and their transgressions against patriarchal discourse to find their own spiritual homes.

关 键 词：疯女人 疯癫 规训 越界 

分 类 号：I106.4[文学—世界文学]