“十七年”话剧文学中的妇女解放研究  

Study of Women’s Liberation in Chinese Dramatic Literature from 1949 to 1966

作　　者：刘希[1] LIU Xi(Department of China Stuides, Xi’an Jiaotong Liverpool University, Suzhou 215123, China)

机构地区：[1]西交利物浦大学中国研究系,江苏苏州215123

出　　处：《中北大学学报（社会科学版）》2021年第5期93-98,105,共7页Journal of North University of China：Social Science Edition

摘　　要：本文考察1949年-1966年“十七年”间特别是20世纪50年代中国话剧文学中的社会主义妇女解放话语。通过对主流研究观点中自由主义人文主义话语的批评和对相关话剧文本历史化的研究,本文认为这些话剧文学作品关注妇女新的主体意识、政治身份和劳动身份的生成,挑战了当时存留的封建男权思想,积极推动性别化的社会变革;它们为社会主义妇女的家务劳动赋值,甚至挑战了自然的性别化分工。这些话剧通过呈现社会主义妇女和国家、个体与集体/公共身份、阶级和性别在历史中的复杂关系而构建出丰富的社会主义妇女的主体性。This paper examines the socialist women’s liberation discourse in Chinese dramatic literature between 1949-1966,especially in the 1950s.By interrogating the liberal humanistic discourse in mainstream research and historicizing the the relevant theatrical works,it argues that these works focus on the construction of women’s new subject consciousness,political identity and labor identity,challenge the feudal patriarchal thought that existed at that time,and actively promote the social reform of gender.They help to valorize women’s domestic labor in socialist construction and even challenge the naturalized gender division of labor.These works construct rich subjectivities of socialist women by presenting the complex relationships between socialist women and the state,individuals and collective/public identity,class and gender in history.

关 键 词：话剧文学 社会主义妇女解放 

分 类 号：C913.68[经济管理]