论高适边塞诗听觉形象的生成及其文化内涵  

Formation and Cultural Connotations of Auditory Images of Gao Shi’s Frontier Poems

作　　者：王昕宇 WANG Xinyu(School of Chinese Language and Literature, Lanzhou University, Lanzhou 730000, China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《中北大学学报（社会科学版）》2021年第5期106-110,共5页Journal of North University of China：Social Science Edition

摘　　要：高适的边塞诗建构了丰富的声音景观,在景观的生成中强化了艺术感知效果。其一,胡乐、胡舞、歌哭等人文之声,既体现了作品的异域色彩,又兼具诗人的济世之志与人文关怀。其二,风声、雨雪声、泉流声等自然之声,体现了景与情的统一,突显了严酷环境中人的主体性力量。其三,旅雁悲鸣、夜深鸟啼、战马嘶鸣等动物之声,伴随着视点的自由移动,在苦寒寂寞的边地刺激着征人情感的生发,并成为其情感的寄托。整体看,高诗中的听觉形象,既是盛唐气象的表征,也凝聚了诗人志向,展示了边塞诗歌宽广的人文向度。Gao Shi’s frontier poems construct rich soundscapes and strengthen the artistic effects of these poems.(a)The humanistic sounds such as the music,dance and lament of northern barbarian tribes not only express exotic cultures but also reflect Gao Shi’s ambitions to promote the world and his humanistic care.(b)The natural sounds of wind,rain,snow and springs unite scenery and emotions and highlight the power of people in harsh environments.(c)The sounds of animals such as wild geese,birds and war horses facilitate solders’emotions in harsh and lonely boundary regions.The auditory images in Gao’s poems reflect the prosperity of the Tang dynasty,Gao’s aspirations and the broad humanistic dimensions of frontier poems.

关 键 词：高适 边塞诗 听觉形象 

分 类 号：I207.22[文学—中国文学]