布尔迪厄的“文学场”考古学  

Archeology of Bourdieu’s Literary Field

作　　者：刘晖[1] Liu Hui(Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing,China)

机构地区：[1]中国社会科学院外国文学研究所,北京100732

出　　处：《外国文学》2021年第4期81-94,共14页Foreign Literature

摘　　要：本文从布尔迪厄"文学场"研究的已有成果出发,参考近年来法国瑟伊出版社推出的布尔迪厄《法兰西学院课程》,试图对文学场进行福柯意义上的考古学研究,澄清文学场关涉的理论体系和内在思路,说明文学场的产生条件、变化过程、内部规则与介入力量。布尔迪厄从文学场研究中抽象出"场"的一般特征,将场与习性、资本确立为其社会学理论的三大支柱概念。一方面,文学场理论试图超越内部分析与外部分析、创作过程与完成的作品、作家分析与作品分析的对立;另一方面,文学场范式努力为新"文人共和国"(文化生产场)乃至理性乌托邦(权力场)提供创立法则。Based on the existing scholarship on Bourdieu’s literary field and Bourdieu’s Courses in the College of France recently published by Seuil,this article uses Foucault’s archeological method to investigate the theoretical framework of the literary field and its internal logic,illustrating its genesis,evolution,rules and intervention in the world.Bourdieu derives general features of fields from his study of the literary field and develops his sociology of culture around three key concepts:field,habitus and capital.On the one hand,the literary field aims to surmount the opposition between internal and external analysis,between creative process and cultural products,and between biographical and textual studies.On the other hand,the literary field tries to establish itself as a paradigm for a new"Republic of Letters"(cultural production field)and for"a Reasoned Utopia"(power field).

关 键 词：文学场 考古学 习性 资本 文人共和国 

分 类 号：G0[文化科学]