论苏童《罂粟之家》的意象交叠与话语蕴藉  

On the Overlapping Images and Discourse Implications in Su Tong’s Poppy House

作　　者：王俊虎[1] 张陆洋 WANG Junhu;ZHANG Luyang(College of Literature, Yan’an University, Yan’an, Shaanxi 716000, China)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《中州大学学报》2021年第4期9-13,共5页Journal of Zhongzhou University

基　　金：国家社科基金重大项目“延安文艺与现代中国研究”(18ZDA280)。

摘　　要：苏童的《罂粟之家》具有丰富的话语蕴藉,作品内部包含多种意象的交叠,使得作品产生多重复杂的意义。小说所要展现的不仅仅是故乡“枫杨树”的历史和土地革命时期的乡村发展,更是在广阔的时代背景之下揭示地主与农民、男性与女性社会地位的转变及其命运,作家将时代的变化暗含在农村颓败的图景中,以人物形象为切入口,以此表达对时代问题的深刻认识与反思。Su Tong’s novel Poppy House has rich discourse implications and a variety of overlapping images,producing multiple complex meanings.The novel extends its theme beyond the history of maple and poplar trees as well as the rural development in the period of Land Reform,and focuses on the dual transformation of social status and destiny between landlords and peasants,men and women against the broader background of the times.The writer implicates the changes of the times in the picture of rural decadence,taking the characters’images as an angle to express his own understanding and reflection of the problems of the times.

关 键 词：苏童 《罂粟之家》 话语蕴藉 命运悲剧 意象 

分 类 号：I206[文学—中国文学]