民国民间艺术的“重新发现”与国民道德重建  

The“Rediscovery”of Folk Art and the Reconstruction of National Morality in the Period of the Republic of China

作　　者：董名杰[1] Dong Mingjie(Department of Chinese Language and Literature,Fudan University,Shanghai 200082,China)

机构地区：[1]复旦大学中国语言文学系,上海200082

出　　处：《齐鲁师范学院学报》2021年第4期100-109,共10页Journal of Qilu Normal University

摘　　要：民国民间艺术的“重新发现”既是民间艺术本体发展的必然诉求,也是民国社会转型的重要文化现象。面对传统国民道德与现代共和政体的结构性矛盾,民间艺术被国家权力与知识阶层视为重建国民道德的本土化精神资源与理性工具,两者之间具有密不可分的话语空间。在发扬民间艺术德育传统的基础上,知识阶层对民间艺术道德启蒙功能予以现代性的理论建构,使之从个人道德修养与社会伦理关系两方面重建国民道德,既与“人性化”和“世俗化”的现代文明特征相契合,又体现出民国社会的“文明”转向。The“rediscovery”of folk art is not only an inevitable demand for the development of folk art itself,but also an important cultural phenomenon in the social transformation of the Republic of China.Facing the structural contradiction between traditional national morality and modern republican regime,folk art is regarded by the state power and intellectuals as a localized spiritual resource and rational tool for rebuilding national morality.There is an inseparable discourse space between the two.On the basis of carrying forward the tradition of folk art moral education,the intellectual class has given a modern theoretical construction to the moral enlightenment function of folk art,so that it can rebuild national morality from the two aspects of personal moral training and social ethics relationship.It is not only related to“humanization”and“secularization”,which are the characteristics of modern civilization,but also reflects the“civilized”turn of the social life of the Republic of China society.

关 键 词：民国 民间艺术 国民道德 重新发现 道德重建 

分 类 号：G122[文化科学]