狂欢化诗学中的悖论特征--以《白痴》为例  

The Traitof Paradoxin Carnival Poetics--The Analysis of Idiot

作　　者：申燕 SHEN Yan(Shanxi Normal University,Linfen 041000,China)

机构地区：[1]山西师范大学文学院,山西临汾041000

出　　处：《金华职业技术学院学报》2021年第4期76-80,共5页Journal of Jinhua Polytechnic

摘　　要：巴赫金的狂欢化诗学恰如其分地揭示出陀思妥耶夫斯基艺术创造的原则,但狂欢化诗学中丰富的悖论性一直被人所忽视。对话理论揭示了人与人之间相悖的关系,而“瞬时性”描写展示了时间的运动本性,狂欢节的种种仪式均包含有悖论的思想,而更替精神成为狂欢节的核心,这正是悖论的感性显现。因而,悖论不仅体现在形而下的叙事层面上,同样体现在狂欢化诗学的审美属性中。The Carnival Poeticscreated by Bakthin illustrates the principle of Dostoevsky art creating in a suitable manner.However,the paradox of carnival poeticshas been ignored all the time.The theory of dialogue discovered the paradox relationship between people,and the instantaneous description reflects the motorial nature of time.The various observance of the carnival embodies the paradox,taking place of spirit and becoming the core of carnival,which is the sensible expression of paradox.In summary,paradox exists not only in the physical narrative level,but also in aesthetic nature of carnival poetics.

关 键 词：狂欢化 复调 悖论 自否定 《白痴》 

分 类 号：I207.42[文学—中国文学]