从“西不列颠人”到“出发西行”--论乔伊斯《死者》中“良知”爱尔兰的民族认同建构  

From“West Briton”to“Setting Out Westward”:The Ireland’s Conscience Identity in The Dead

作　　者：张珊珊 ZHANG Shanshan

机构地区：[1]广东第二师范学院外语系

出　　处：《广东外语外贸大学学报》2021年第4期54-64,158,共12页Journal of Guangdong University of Foreign Studies

基　　金：广东省高等教育教学改革项目“提高英语类学生阅读素养的课程群建设研究”(2018[180]);广东省大学英语教学改革项目“大学英语拓展课英美文学教学改革与实践研究”(YDY-2019-49)。

摘　　要：在短篇小说《死者》中,乔伊斯通过男主人公加布里埃尔从"西不列颠人"到"出发西行"的形象转变,批判了受殖民主义影响的爱尔兰文化民族主义的狭隘性和排他性,提出了"良知"爱尔兰的民族认同建构。在安德森·本尼迪克特和法侬民族主义理论的关照下,对此做了详细论证。乔伊斯认为,超越民族性的美德良知是爱尔兰民族认同的基石。这一主题在《死者》其后的作品得到体现和升华,也在当代爱尔兰小说中得到挖掘,对当下构建人类命运共同体有重大意义。James Joyce’s short novel The Dead dealt with the Irish national identity through the image transformation of the protagonist Gabriel from a"West Briton"to an Irishman"set(ting)out westward".Under the lens of Benedict’s and Fanon’s theories on nationalism,this study found that the concept of"Ireland of conscience"was brought up along with the criticizing of narrowness and xenophobia latent in Irish cultural nationalism that was influenced by colonialism.The discussion showed that the"conscience"of humanity,which overstepped the limits of nationalism of various forms,should lay the foundation for the Irish national identity.This theme was further developed in other works of Joyce and later recaptured in contemporary Irish novels.It also cast light on how to build a human community with a shared future at present.

关 键 词：民族认同 文化民族主义 爱尔兰 美德良知 

分 类 号：I106.4[文学—世界文学]