基于符号互动论的探戈舞嬗变研究  

Transmutation of Tango based on Symbolic Interactionism

作　　者：林琼[1] LIN Qiong(Physical Education Institute of Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学体育学院,福建厦门361021

出　　处：《体育科学研究》2021年第4期14-18,共5页Sports Science Research

基　　金：福建省社会科学规划项目(FJ2018C065)。

摘　　要：运用文献资料、观察等研究方法,立足于符号互动论的理论视角,对探戈舞的起源、发展及技术风格形态进行梳理探究。探戈舞是作为不同文化主体的符号建构者根据自身价值观倾向逐渐模塑的符号系统,包含了发端于阿根廷的草根文化集合态、经欧洲社会接纳并由英国改良制式化的国际标准态,以及传至美国等国家和中国台湾地区后的衍生态。多元共生、和而不同的探戈舞符号自成一体,毋须关于真伪雅俗的论辩,是人类文化流在身体动作层面上的一个观照。Using observing, interviewing and documentary analysis, the study explores the origin, evolution and technique styles of Tango in view of symbolic interactionism.Tango is a symbolic system molded by different symbolic constructionists according to their own value orientation, which includes the grassroots culture collection originated in Argentina, the international standard admitted by Europe and improved by UK,as well as the derived forms in America and Chinese Taiwan, etc.As a hybrid symbolic type of its own multiple and harmonious in diversity, Tango is a vision upon body movement in human cultural flow where the debates upon truth or error and elegance or vulgarity are nonessential.

关 键 词：符号互动论 探戈 文化圈层 技术风格 文化价值观维度 

分 类 号：J722[艺术—舞蹈]