武满彻电影音乐创作中的主题模式研究  

On the Theme Mode ofToru Takemitsu's Film Soundtrack

作　　者：陈明[1] Chen Ming

机构地区：[1]上海音乐学院

出　　处：《乐府新声（沈阳音乐学院学报）》2021年第3期23-31,共9页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：日本现当代作曲家武满彻一生创作了三百多部音乐作品,其中电影音乐作品多达99部。本文对武满彻电影音乐创作中的主题模式进行研究,在声画结合的视域下,讨论他如何通过乐音、噪音、乐噪音来构筑他的电影音乐主题,如何通过主题设计来诠释电影内容,彰显影片表达的深层次意涵。Japanese modern and contemporary composer Toru Takemitsu has composited more than 300 musical works in his lifetime, among which 99 were for films. This article studies the theme mode of Toru Takemitsu’s film soundtrack, and discusses how he constructs his film music theme through music, noise, and music noise from the perspective of the combination of sound and picture, and how to interpret the film content through theme design, Highlighting the deep meaning of the film expression.

关 键 词：武满彻 电影音乐创作 主题模式 声画结合 

分 类 号：J614.5[艺术—音乐]