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作 者:倪冉 韩莉萍 杨荣清[1] NI Ran;HAN Li-ping;YANG Rong-qing(Textile Engineering and Academy of Art, Anhui Agriculture University, Hefei 230036, China)
机构地区:[1]安徽农业大学轻纺工程与艺术学院,安徽合肥230036
出 处:《信阳农林学院学报》2021年第3期69-74,共6页Journal of Xinyang Agriculture and Forestry University
摘 要:城市历史文化街区的特征表现问题一直是设计者研究的课题,基于皮尔斯符号三元关系的符号设计理论对历史街区导视设计做某种优化。针对徐州户部山历史街区现存的导视设计文化表现问题,梳理归纳户部山文化元素,深化对“人、文、地、产、建”五大文化主题的符号解析,提出历史街区更新设计框架模型的三要素——文化元素、设计、受众;同时强调以“整体设计、顺应文化、尊重受众”的设计理念,对户部山进行更新设计实践,旨在探讨以皮尔斯符号三元关系来解释文化内涵与符号表现的大众与城市情感联结,为新时代城市传播地域文化特色、增强地域文化自信提供新思路。The characteristic expression of urban historical and cultural blocks has always been a subject of research by designers.The symbolic design theory of exploring the ternary relationship of Pierce's symbols has made a certain optimization for the guide design of historical blocks.In view of the existing problems of cultural expression in the guide design of the Hubu Mountain Historic District in Xuzhou,the cultural elements of Hubu Mountain were sorted and summarized,the symbolic analysis of the five cultural themes of"humanity,culture,land,production and construction"was deepened,and the three elements of framework for the renewal design of the historical district was proposed cultural elements,design,and audience.At the same time,it emphasizes the design concept of"overall design,conforms to culture,and respects the audience"to update the design practice of Hube Mountain,aiming to explore the ternary relationship between Pierce symbols.The cultural connotation and symbolic expression of the masses and the emotional connection of the city provide new ideas for the spread of regional cultural characteristics in the new era of cities and enhance regional cultural self-confidence.
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