北齐郊庙用乐及《郊庙歌辞》文本结构探析  

Analysis of The Music and Text Structure of Songs of Suburban Ancestral Temple in the Northern Qi Dynasty

作　　者：岳洋峰 YUE Yang-feng(College of Literature, Hebei Normal University, Shijiazhuang 050024, China)

机构地区：[1]河北师范大学文学院,石家庄050024

出　　处：《唐都学刊》2021年第5期72-76,共5页Tangdu Journal

基　　金：河北省社会科学发展研究课题:“北齐乐府诗研究”(20200403119)的阶段性成果。

摘　　要：北齐《郊庙歌辞》是在享庙、明堂祭祀、五郊郊祀等活动的背景下产生的,体现了北齐高氏对郊庙礼制的遵循。北齐《郊庙歌辞》的著录形态常有《隋书·音乐志》与《乐府诗集》两个系统,歌辞内容由陆卬、李愔等人奉诏而作。与南朝《郊庙歌辞》相比,北齐《郊庙歌辞》在文本结构方面,存在有文本嵌套、模拟以及乐舞歌辞同用等情况。Songs of Suburban Ancestral Temple in the Northern Qi Dynasty were produced in the context of such activities as worshipping,sacrificial services and sacrificial offerings for five emperors,reflecting Gao family's observance of the etiquette in ancestral temple.The description forms of the Songs of Suburban Ancestral Temple in the Northern Qi Dynasty often has two systems:Book of the Sui·Music(Sui Shu·Yin Yue Zhi in Chinese Pinyin)and Collection of Folk Poetry and Songs(Yue Fu Shi Ji in Chinese Pinyin).The songs were written by Lu Ang,Li Yin and others upon the Emperor’s orders.Compared with the Songs of Suburban Ancestral Temple in the Southern Dynasties,the nested text,the simulated text,and the use of the same music,dance and songs were found in the text structure of the Northern Qi Dynasty.

关 键 词：北齐 《郊庙歌辞》 郊庙用乐 著录形态 文本结构 

分 类 号：I206.392[文学—中国文学]