论沈原野的《阿Q正传》连环画  

On Comic Script The True Story of Ah Q by SHEN Yuanye

作　　者：杨剑龙[1] YANG Jianlong(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《江西师范大学学报（哲学社会科学版）》2021年第3期19-27,共9页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重大项目“中国现代文学图像文献整理与研究”(编号:16ZDA188)。

摘　　要：沈原野的《阿Q正传》连环画79图,是较少受到关注的连环画作品。1956年连环画界提出希望有人出来尝试画《阿Q正传》。沈原野以普通人的形象为人物造像,几乎不作漫画的夸张变形,大多采取中景平视进行构图,呈现出构图的主体突出平稳匀称的特点。常常以连续性的画幅表达人物活动、场景、时间的连续性,常常努力描绘小动物,既渲染场景气氛,又烘托人物心理,再达到画面平衡。在构思与构图方面,受到了丰子恺《漫画阿Q正传》的启迪和影响。沈原野在人物造型、画幅构图等方面,都有所发展和建树,推进了对于鲁迅小说《阿Q正传》的解读与传播。There are 79 pictures in SHEN Yuanye’s The True Story of Ah Q,which is a comic strip and draws less attention.In 1956,the drawing of“The True Story of Ah Q”was once put forwardin the comic circle.SHEN Yuanye,taking the images of ordinary peoplein the work,adopted the medium shot and eye-levelshot in composition,which highlightsthe smoothness and symmetry of the main body.Besides,the continuous paintingscontributed to the continuity of character activities,scenes and time.The depictsof small animals promoted the atmosphere of the scene,expressed the psychology of the characters and balancedthe pictures.In terms of conception and composition,the authorwas inspired and influenced by FENG Zikai’s The True Story of Ah Q.SHEN Yuanye made some progress in character shape,picture composition and other aspects,and promoted the interpretation and dissemination of LU Xun’s novel The True Story of Ah Q.

关 键 词：沈原野 阿Q正传 连环画 线描 丰子恺 

分 类 号：J205[艺术—美术]