文学空间形式:现代说图及其意义  

On the Spatial Form in Literature:Modern Ekphrasis and Its Significance

作　　者：王东 WANG Dong(Language School,Nanjing Normal University of Special Education,Nanjing,Jiangsu 210038;Interdisciplinary Institute of Language and Literature,Nanjing University of Information Science & Technology,Nanjing,Jiangsu 210044,China)

机构地区：[1]南京特殊教育师范学院语言学院,江苏南京210038 [2]南京信息工程大学语言文学跨学科研究院,江苏南京210044

出　　处：《江西师范大学学报（哲学社会科学版）》2021年第3期52-59,共8页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目“文学视角下的现代艺术图说研究”(编号:15BZW037)。

摘　　要：弗兰克的空间形式论是一种现代说图理论,具有像似性思维、综合性和包容性的特点。它体现了文学向现代艺术模仿学习的文化趋势,揭示了文学向艺术模仿学习的“出位之思”情结,而且也能更好地阐释《追忆似水年华》《到灯塔去》等现代文学作品的“整体说图”价值。它也能够很好地见证文学与艺术关系的历史形态变化:从前现代的模仿再现图画内容,到现代时期注重并置组合、反复回环等艺术手段的文学移用,呈现的是文学从外在形象内容转向内在精神情绪的趋势。Frank’s theory of spatial form is a modern ekphrasis characterized by iconicity thinking,comprehensiveness and inclusiveness.It reflects the cultural trend of literature imitating from modern art.It not only reveals“anders-streben”complex,but also can better explain the value of“whoilstic ekphrasis”of modern literatures such as In Search of Lost Time,To the Lighthouse,etc.It witnesses the historical form changes of the relationship between literature and art,namely,from the imitation of pictorial contents in the pre-modern period to the literary transposition of artistic devices such as juxtaposition,combination and repetition in the modern period,which presents a trend of literature shifting from external image to internal spiritual emotions.

关 键 词：弗兰克 空间形式 说图 现代说图 出位之思 

分 类 号：I206[文学—中国文学]