民乐合奏乐器拾音方法及技巧浅析  

Analysis of Folk Music Ensemble Instrument Picking up Method and Skills

作　　者：杨曦 YANG Xi(Guizhou Broadcasting&TV station,Guizhou 550002,China)

机构地区：[1]贵州广播电视台,贵州贵阳550002

出　　处：《电声技术》2021年第8期6-8,17,共4页Audio Engineering

摘　　要：中国的民乐历史悠久,但是民乐的扩声技术发展却落后于西洋乐器。首先,现在民乐乐团的乐器在古代基本是以独奏乐器的形式开发出来,很少会有大规模合奏的情况出现,所以民乐乐器大多音色鲜明,但这带来了不同乐器之间融合性差的问题。其次,乐器的规格并没有一个非常完善的规定,民乐乐器大多是手工制品,在选材、尺寸等规格方面没有非常严格的规定,这导致在对民乐进行拾音时没有一个合适的标准。随着国内的音响技术的不断发展,对民乐拾音方法的探索也在不断前行,民乐合奏音频技术为现场扩声、录音以及转播带来更优异的声音及艺术表现。Chinese folk music has a long history,but the development of sound amplification technology of folk music lags behind western instruments.First of all,the instruments of modern folk music bands were basically developed in the form of solo instruments in ancient times,and there were few large-scale ensembles,so most of the folk music instruments had distinct timbre,but this also brought the problem of poor integration between different instruments.Secondly,there is no perfect regulation on the specifications of musical instruments.Most folk musical instruments are handmade products,and there is no strict regulation on the specifications such as material selection and size,which leads to the absence of an appropriate standard for picking up tones of folk music.However,with the continuous development of sound technology in China,the exploration of the method of picking up sound of folk music is also constantly moving forward.The audio technology of folk music ensemble brings more excellent sound and artistic expression for sound amplification,recording and retransmission.

关 键 词：民族乐器 频率响应 电容话筒 动圈话筒 录音 

分 类 号：TS953.2[轻工技术与工程]