多和田叶子《献灯使》的危机与希望主题研究  

A Study on the Theme of Crisis and Hope in Yoko Tawada’s The Emissary

作　　者：丁瑞媛 洪晓云 Ding Ruiyuan;Hong Xiaoyun

机构地区：[1]南京工业大学外国语言文学学院,江苏南京211816

出　　处：《东北亚外语研究》2021年第3期27-32,共6页Foreign Language Research in Northeast Asia

基　　金：国家社会科学基金项目重点项目“日本‘护理’及老年题材文学研究”(20AWW003)、2019年度南京工业大学“中日科技文化创新研究”团队(SKTD201903)的阶段性成果。

摘　　要：多和田叶子以东日本大地震之后的日本社会为背景创作《献灯使》,描写了生活在危机之下的人们身体和家庭伦理关系发生的变化。作品中老人失去了死亡的能力,年轻一代孱弱多病,家庭伦理关系逐渐淡漠,人们生活在绝望和黑暗之中。《献灯使》以地震和核泄漏事故为背景,“危机”为“明线”,“献灯使”为“暗线”,在明暗线的交织中用诗歌般的语言描绘震后日本的社会现状并探寻希望。本文拟用法国象征派诗歌先驱波德莱尔的“应和”理论剖析《献灯使》中的社会和日本现实社会,作品中的社会是对现实社会的应和,作品通过对异常的“衰老”现象和淡漠的家庭伦理关系的描述,表达出人们试从现实的绝望与压抑中得到救赎,从而获得新发展的愿望,引发人们对现实社会问题的思考。Taking the Japanese society after the earthquake as the background,Yoko Tawada’s The Emissary describes people’s changes in both physical and family ethical relationships under the crisis.The elderly have lost the ability to die,the younger generation are all weak and sick,the family ethics gradually become indifferent,and people live in despair and darkness.Under the background of earthquake and nuclear leakage,“crisis”as the“bright line”and“the emissary”as the“dark Line”,interweaving of bright and dark lines,The Emissary depicts the social status of Japan after earthquake and explores hope in poetic language.This article intends to use Baudelaire’s theory of“Correspondences”who is a pioneer of French symbolic poetry to analyze both the Japanese society and the real society in The Emissary.Through the description of abnormal“ageing”phenomenon and indifferent family ethics relationship,it expresses people’s desire to be redeemed from despair and repression in reality,so as to obtain the wish for new development and triggers people’s reflection on real social problems.

关 键 词：多和田叶子 献灯使 危机 希望 “应和”理论 

分 类 号：I106[文学—世界文学]