变与不变:“贵州美术现象”的转身  

Variation and Invariance: the Turn of “Guizhou Art Phenomenon”

作　　者：骆丽君 Luo Lijun(Art College,Guizhou University,Guiyang,Guizhou 550025,China)

机构地区：[1]贵州大学美术学院,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2021年第5期98-102,共5页Journal of Guizhou University Art Edition

基　　金：贵州省艺术科学规划课题“外界视野中的‘贵州美术现象’研究”(项目编号:18FB10)。

摘　　要：“贵州美术现象”是贵州美术史中的一次高光时刻。在其发展之初,贵州有自身特殊的环境与条件,它成长为全国一个颇有影响的美术现象,并树立了贵州美术发展的独特风格;在“贵州美术现象”落幕之后,面对全球浪潮下艺术新的发展形势,贵州当代美术亦在潜流中跋涉,三十年来,面对曾经的成就,变与不变成为很多贵州艺术家面对的问题。“Guizhou Art Phenomenon”is a highlight in Guizhou art history.At the beginning of its development,Guizhou developed into an influential art phenomenon in China and established a unique style of art development with its own peculiar environment and conditions.After“Guizhou art phenomenon”came to its end,facing the new situation of art development under the global wave,contemporary Guizhou art is also struggling in the undercurrent.With the previous achievements in the past 30 years,variation and invariance have become the issues confronted by many Guizhou artists.

关 键 词：形式美 原始主义 多元化 

分 类 号：J120.9[艺术—艺术理论]